#Kurt Jackson/ painter wilderness reams angels medicine walks and memory

Kurt Jackson, the painter. He has a way of seeing things at different levels to most people. It includes wilderness, reams, angels, medicine walks and memory.

This his link: http://www.kurtjackson.com/index.html

Let me give you a quote from Miriam Darlington’s blog http://wild-watching.blogspot.co.uk/:

‘I’m standing beside a gate, screened by some sallow and oak branches. A movement on the water. The size of a water vote, but with a wake. Henry Williamson, who wrote “Tarka the Otter” and spent many years down at otter-nose level, called it a ‘ream’. Half way between a ripple, and a beam of light.’

Kurt Jackson is someone who sees ‘reams’. They are there but often invisible to the clothed eye. It is not just in landscapes we find them. There are reams with people, ripples and beams of goodness. In every day there are reams of God, ripples and beams of presence.

Annie Dillard in her book Teaching A Stone To Talk has a chapter in it ‘A Field of Silence.’ At the end she writes, ‘There are angels in those fields, and, I presume, in all fields, and everywhere else. I would go to the lions for this conviction, to witness this fact.’ (p.136)

When I look at Kurt Jackson’s paintings I understand what Annie Dillard is saying. Jackson’s paintings are bathed with the light of angels, but not fluffy, chubby angels but angels that make you write, ‘Holiness is a force, and like the others it can be resisted. It was given, but I didn’t want to see it.’ (Annie Dillard, pp.134-135)

Wilderness psychotherapy sends children and others out on medicine walks. As I look at Jackson’s paintings I end up walking in the landscapes. But it is a medicine walk.

There’s an idea in NewScientist of 6th October in their memory section, that memories are very important in shaping our happiness or sadness, ‘Our memories act as a kind of ballast that holds us steady in times of stress…’ (p.38). ‘Over-general memory’ as it has been called, where people ‘paint their past in broad brush strokes’ (p.39) but don’t remember the details can be linked to depression. As I gazed attentively and openly at Jackson’s paintings I found memories rising to the surface, happy ones. I found awarenesses of oneness, and unity rising to the surface. The paintings became a medicine-walk.

Slow down and look at Kurt Jackson’s paintings today- take a medicine walk amonst the reams of angels.

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